There is a particular electricity to a fashion post that reads like a film call sheet. In a new “Jugni” fashion story shared by Jacqueline Fernandez, the credits matter as much as the clothes: four looks pulled from the Jugni Archives, each one built with a different designer’s vocabulary, and all of it paced by stylist Sukriti Grover’s hand.
Jugni Archives looks: why this is more than a carousel
Even without a formal announcement attached, the Jugni concept lands as a complete styling exercise: a lehenga led opening, a custom parandi moment, a custom Saisha Shinde look, and then a sharp pivot into a DI PETSA outfit paired with a custom bikini. The through line is not “theme” so much as casting. Each supporting player, from jewellery to footwear, has been named, which turns the post into a map of the current Indian and diaspora fashion ecosystem.
Grover’s styling is consistently credited across all four looks, with vani gupta as senior stylist and aditi jaiswal as junior stylist. Hair and makeup credits repeat too, tagged to Shaanmu and Priyanka, giving the Jugni Archives story the feel of a single set day rather than four unrelated outfits.
Look 1: a lehenga, then a jeweller’s roll call
The first frame is anchored by a lehenga from Samta Gaudani, and then layered with a stacked list of jewellery specialists: necklace, handstack, and anklets by Motifs by Surabhi Didwania; earrings by QIS by Ashmeet; an armlet by Keiyura Jewelry; and sunglasses credited to Bhavya Ramesh Jewelry. The effect is deliberate abundance, not a single hero piece but a chorus, which is often the point in Indian occasion dressing when you want the silhouette to hold its ground against ornament.
Look 2 and Look 3: custom work, two different energies
Look two turns toward Label Nitya Bajaj with both the outfit and a custom parandi credited to the label. The headpiece comes from Purab Paschim, jewellery is tagged to Tribe by Amrapali, and heels to Saintgworld. That mix tells you something about how contemporary festive dressing is being built right now: heritage-coded jewellery names next to newer footwear labels, stitched together by styling that cares about the full vertical line of the body.
Look three is pared back in its credits, which makes it feel intentionally singular: a custom outfit by Saisha Shinde with earrings from Minerali Store. When the jewellery list shortens, the garment has to carry more narrative weight, and Shinde’s work, long associated with clean structure and strong modern silhouettes, is a logical choice for a look that wants the camera to stay on the cut rather than the stack.
Look 4: DI PETSA meets a custom bikini
The final look is the sharpest pivot. Fernandez wears an outfit by DI PETSA, paired with a custom bikini by Flirtatious India, earrings from Radhika Agrawal Studio, and heels again by Saintgworld. DI PETSA, the London based label founded by Greek designer Dimitra Petsa, is widely recognised for its wet look draping, a signature that has made the brand a red carpet favourite. In the Jugni Archives context, it reads as a deliberate collision: a global fashion reference dropped into a credits list dominated by South Asian makers.
The styling takeaway
If you want to understand what stylists are actually doing in 2026, watch the credits. The Jugni Archives post makes a case for sourcing as storytelling, with each tag acting as a clue about craft, community, and which workshops are being pulled into the spotlight right now.
External sources worth bookmarking: DI PETSA’s official site for the label’s wet look draping universe, and Jacqueline Fernandez’s Instagram for the original Jugni Archives credits and tags.
Photo Credits
Images courtesy of their respective owners.
